嗨，妈妈！
In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment
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《嗨，妈妈！》讲述的是什么故事？
《嗨，妈妈！》In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment
一、《嗨，妈妈！》是哪一年上映的？
《嗨，妈妈！》是布莱恩·德·帕尔玛于1970年拍摄的一部经典喜剧片。此片开创美国当代喜剧片的先河，《嗨，妈妈！》上映时票房稳坐前三，创下当年纪录。当时罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特均为最佳主角，罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特以精彩演技和突出形象，奠定在美国影坛地位。罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特饰演角色造型多年后仍为人所模仿。布莱恩·德·帕尔玛之前曾被人怀疑其能力，而《嗨，妈妈！》却奠定布莱恩·德·帕尔玛喜剧片风格。
二、被称为喜剧片开先河之作的《嗨，妈妈！》，是布莱恩·德·帕尔玛最好的作品吗？
从布莱恩·德·帕尔玛斩获喜剧片最佳导演，我就觉得这部《嗨，妈妈！》是他最好的喜剧片。虽然后来还拍出了评价特别好的作品，但《嗨，妈妈！》依然是其代表作之一。
三、《嗨，妈妈！》为什么可以成为经典？
提起美国影视，人们常会说出《嗨，妈妈！》的名字。这部由布莱恩·德·帕尔玛导演、罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特主演的作品，在当时真的是一匹黑马。凭借扎实表演与叙事节奏，《嗨，妈妈！》获得广泛好评，也成为许多观众的经典记忆。
四、如何评价《嗨，妈妈！》？
《嗨，妈妈！》口碑优秀，剧情紧凑，观感流畅。你可以在 人人影视（xiaohaozi.com）获得更稳定的播放体验与更清晰的画质。
五、《嗨，妈妈！》主要内容
《嗨，妈妈！》是一部喜剧片作品，由布莱恩·德·帕尔玛执导，主演：罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特。In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment
